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| November 2010, San Francisco, California (Canon Rebel XTi, 18-200mm, 1600 ISO) |
Birthed in the high wilds of Montana, raised in the verdant inlets of Puget Sound,
found in the mirrored streets of Seattle, tested in the soft fields of Indiana
and now received into Chicago's broad, garrulous embrace.
Friday, February 10, 2012
Thursday, February 9, 2012
First Snow of 2012 (Con't) - Rosehill Cemetery
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| January 2012, Panasonic GF-1, 20mm f/1.7, 400 ISO, f/8.0 @ 1/500 Black & white conversion in Lightroom 3 |
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| January 2012, Panasonic GF-1, 20mm f/1.7, 400 ISO, f/8.0 @ 1/320 Black & white conversion in Lightroom 3 |
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| January 2012, Panasonic GF-1, 20mm f/1.7, 400 ISO, f/8.0 @ 1/500 Black & white conversion in Lightroom 3 |
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| January 2012, Panasonic GF-1, 20mm f/1.7, 400 ISO, f/8.0 @ 1/250 Black & white conversion in Lightroom 3 |
Wednesday, February 8, 2012
First (And Last?) Real Snow of 2012
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| January 2012, Panasonic GF-1, 20mm f/1.7, 400 ISO, f/8.0 @ 1/20 |
Middle of last month we had the first snow of the New Year, and what will perhaps turn out to be the only real snow of the 2012 Winter. Chicago has been having extremely mild weather this year. The usual sub-20s temperatures and snows that require you to dig your car out the next day have yet to materialize. I don't mind the milder temperatures and certainly don't mind not having to excavate a couple feet of snow just to have a parking space, but at least snow gives the otherwise dead and gray landscape some visual interest. Without the occasional snowfall, the Midwest landscape can get pretty bleak between December and March.
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| January 2012, Panasonic GF-1, 20mm f/1.7, 400 ISO, f/8.0 @ 1/20 |
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| January 2012, Panasonic GF-1, 20mm f/1.7, 400 ISO, f/8.0 @ 1/15 |
Tuesday, February 7, 2012
Food Motivated
Saturday, February 4, 2012
Fuji 400H Film With The Holga
I would like to like Fuji Pro 400H more than I do, as it would be nice to have an alternative to Kodak Portra 400. Jury is still out, generally, but it doesn't work that well with my Holga. The Fuji film appears to be rated at least a stop faster than it really is - meaning that it really needs to be overexposed to get decent colors and negative thickness. Since the Holga only has two aperture settings (at best) and one shutter speed, you either need to get just the right lighting conditions, or you need a fairly forgiving film. Black & white films tend to have a lot more exposure latitude, so you can get decent exposures under much more varied lighting conditions than with color negative film. Kodak Portra 400 also has a lot of exposure latitude, although not as much as the better black & whites. I've had very good luck with the Holga using Portra. However, given Kodak's recent troubles, and its apparent attitude toward us "backward" film shooters, having an alternative would be both helpful and prudent. Unfortunately, it looks like the Fuji isn't going to be it.
Friday, February 3, 2012
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